Local Legend Mary Jo Papich Receives Legacy of Leadership Award

Last month, the Community Foundation of Central Illinois honored local legend Mary Jo Papich with the 2024 Women’s Fund Legacy of Leadership Award.

Mary Jo, renowned for her dedication to arts education, is the co-founder and inaugural president of the international nonprofit Jazz Education Network (JEN), operating in over 22 countries. She has been honored with the prestigious Medal of Honor from the The Midwest Clinic International Band and Orchestra Festival and has devoted over 35 years to serving public school education.

Her personal mission is "to bring encouragement, inspiration, and joy to others so they feel empowered and motivated to bring good to the world." The impact she has had on the lives of countless students is immeasurable.

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Featured Artist: Morgan Turner and IRIS

The Morgan Turner Quartet (Iris) is a contemporary jazz quartet led by bassist Morgan Turner. The group plays a hybrid of original compositions and fresh takes on old favorites. Members include Arman Sangalang on tenor saxophone, Andrew Sudhibhasilp on Guitar, and Paul Barilles on Drums. The Quartet can be heard playing regularly around Chicago at venues such as Fulton Street Collective, Elastic Arts, and many more.

Follow Morgan Turner and current group Iris on Instagram, YouTube, and Bandcamp to see and hear more.

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Jane Lady, “Grand Dame of Jazz”

Jane had multiple interests, including ice skating, boating and golfing, but most of all, music was her passion. She played in the Peoria Symphony for 28 years from 1943-1957, and sang in the Arcadia Presbyterian Church Choir for over 26 years, where she also served as the Head of Deaconesses. 

Her most visible and passionate role in the community was serving as the President of the Central Illinois Jazz Society from 1990-2010. Although founded by her son, Doug, Jane was the driving force in providing growth for the Society and the jazz scene in the area. She was a tireless advocate for live jazz and was a major force in helping to give local musicians a consistent performance venue in Peoria. Because of this, her positive influence in promoting awareness and appreciation of live jazz continues today throughout Central Illinois and beyond. 

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Finding Jazz in Peoria

I set out to discover—to define—the history of jazz in Peoria, to “unlock the secrets” of a storied past. But what I discovered was something, like the word itself, too broad to be summed up so neatly—though I tried!

How, really, does one answer the question, “So, what was it like back then?” How do you map that territory for someone who wasn’t there?

Just like the improvisation that is at its heart, the definition of jazz is a moving thing. It doesn’t stay put, and it’s not the same for everyone.

Whether it’s John Philips’ evocation of a long-lost Peoria teeming with jazz clubs, David Hoffman’s 13 years on the road with the Ray Charles Orchestra or Preston Jackson’s memories of sneaking in the back doors of Decatur’s clubs at sixteen, jazz is a collection of people’s stories, of individual moments of experience. To “define” it is to limit it—and leave out an essential piece of the puzzle.

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Setting the Scene in 1978: The Founding Story

The Jazz Society was born in 1978 when over 200 people gathered for an outdoor jazz concert in Jane Lady’s backyard in Peoria. Everyone enjoyed the experience so much that Doug Lady, Jon Doren and Ron Hopper – supported by countless others – formed the Central Illinois Jazz Society (CIJS) in 1978 to provide more opportunities for jazz performances in the region.

The Charter for the CIJS was first composed in September 1978, and the first concert officially presented by CIJS took place on December 1, 1978, at Illinois Central College.

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The Healing Power of Jazz

Young tells two stories of how he’s watched his music heal people. Witnessing the power of his music firsthand is a singular experience.

“I have seen unhappy couples reconcile at Phil’s nights. I have seen people exhausted from a day’s work uncoil into their evenings. I have seen a hundred-and-something-year-old woman launch from her seat and dance in front of his band.”

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Featured Artist: John Miller and The Romaniacs

Local legend John Miller leads the Romaniacs on guitar. Joining John are Andy Crawford on bass, Joe Park on guitar, and Larry Harms on clarinet and soprano sax. 

The Romaniacs’ repertoire includes classic Django tunes, modern Gypsy jazz and romantic French musettes. The fare includes some light humorous vocals, a la Freddie Taylor. The band swings hard and creates lots of fun for the listeners as well as the performers. Gypsy Jazz is happy romantic music with universal appeal. The Romaniacs’ performance guarantees good times and good feelings.

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Jazz Master Greg Ward Continues to Pay It Forward in His Adopted Hometown

When saxophonist Greg Ward was growing up in Peoria, his parents encouraged his love of music but discouraged his idea of being a professional musician. His gospel-rooted father, who played the Hammond B-3 organ at church (often accompanied by his very young son), had struggled in his quest for professional success. Knowing what he knew, he wanted to spare Ward the hardship that he himself had endured. But the warnings didn’t work.

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Can Jazz Help Us Heal?

Francesca Remigi M.M. is an undeniable force in the world of modern jazz. A native of Bergamo, Italy, the composer and improviser layers elements of avant-garde jazz with progressive rock and classical music to create a chaotic yet compelling sonic blend of free-wheeling sound. The Human Web by Francesca Remigi M.M. explores complex issues of technology, mental health, trauma, and recovery through intricate arrangements and choreography.

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The Healing Power of Music for Brain Injury Patients

When words fail to express the depth of human experience after a traumatic brain injury, music steps in as an unexpected hero. Harnessing the power of rhythm, tonality, and harmony can indeed play a pivotal role in expediting recovery. This isn’t merely feel-good folklore—it’s backed by an increasing body of scientific research heralding music therapy as a powerful tool for neurorehabilitation.

While we unlock more about this melodious wonder each day, one truth remains evident—music heals in ways medicine often can’t.

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MUSIC HEALS: In Memory of David J. Keyes

Watching him perform was mesmerizing. He and the others put every brain cell, heart and soul into their craft and the resulting jazz exceeded any possible expectations one could have of a couple of scrappy kids... you could see the unadulterated joy on their faces.  

Because of the opportunities CIJS created for him to stretch and grow musically, he earned confidence performing, learned how to work well with other personalities and truly experience the give and take of the creative process. There were also valuable lessons in responsibility, creating opportunities for others and leadership along the way.  

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